| 000 | 010680000a22002770004500 | ||
|---|---|---|---|
| 001 | 1073 | ||
| 005 | 20251118152050.0 | ||
| 090 | _a1073 | ||
| 100 | _a20150504 frey50 | ||
| 101 |
_afre _aeng |
||
| 110 | _ay 100zd | ||
| 200 |
_aSemiotica, n°IV/1/1971 _fAssociation Internationale de Sémiotique _bPERI |
||
| 210 |
_aLa Haye _cMouton _d1971 |
||
| 215 | _a1-96 p. | ||
| 225 | _aSemiotica | ||
| 345 | _aDon P. Piet HORSTEN | ||
| 545 |
_hp. 31-36 _fMARCUS Solomon _iOn types of meters of a poem and their informational energy |
||
| 545 |
_hp. 37-51 _fALEXANDRESCU Sorin _iA project in the semantic analysis of the characters in William Faulkner's Work |
||
| 545 |
_hp. 52-74 _fREY Alain _iLa théorie positiviste des langages |
||
| 545 |
_hp. 75-93 _fZINKIN N.I _iSemiotic aspects of communication in animal and man |
||
| 545 |
_hp.1-30 _fBELLOUR Raymond et METZ Christian _iEntretien sur la sémiologie du cinéma |
||
| 608 | _aLINGUISTIQUE | ||
| 608 | _aREVUE | ||
| 610 | _aLINGUISTIQUE | ||
| 801 |
_aTN _bBIB.CEC _c20071222 _gUNIMARC |
||