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090			_a1161
100			_a20150504 frey50
101			_afre _aeng
110			_ay 100zd
200			_aSemiotica, n°33/1-2/1981 _fAssociation Internationale de Sémiotique _bPERI
210			_aLa Haye _cMouton _d1981
215			_a1-194 p.
225			_aSemiotica
345			_aDon P. Piet HORSTEN
545			_hp. 105-122 _fOSWALD Laura _iFigure / discourse : Configurations of desire in "Un chien andalou" _nCINEMA
545			_hp. 123-150 _fFONAGY Ivan _iCompte-rendu : Langage poétique et psychanalyse _nPOETIQUE / PSYCHANALYSE _nLARERRIER Daniel . Sign and subject : Semiotic and Psychoanalytic Into Poetry
545			_hp. 151-154 _fBIYSSENS Eric _iSaussure's message and its influence (Review article) _nSAUSSURE _nCULLER . Ferdinand de Saussure
545			_hp. 155-168 _fHOLMES Wendy _iPrague school aesthetics (Review article) _nSEMIOTIQUE . ART _nMATEJKA . Sémiotics of Art : Prague School Contributions
545			_hp. 1-62 _fHAIDU Peter _iText and history : The semiosis of twelfth-century lyric as sociohistorical phenomenon (Chrétien de Troyes : 'D'Amors qui m'a tolu') _nCHRETIEN DE TROYES . Grand chant courtois _nPOESIE . MOYEN AGE . SEMIOTIQUE
545			_hp. 169-178 _fHANSON Allan F _iThe semiotics of ritual (Review article) _nORTNER . Sherpas Through their Rituals _nSEMIOTIQUE . CULTURE _nSHERPA (peuple) . RITUEL
545			_hp. 179-188 _fMOUNIN Georges _iCompte-rendu : Harlan lane et les enfants sauvages _nENFANT SAUVAGE . LANE
545			_hp. 63-78 _fSTANOSZ Barbara _iHuman communication and its explanatory description _nCOMMUNICATION . THEORIE
545			_hp. 87-104 _fWILLIAMS Linda _iDream rhetoric and film rhetoric : Metaphor and metonymy in "Un chien andalou" _nCINEMA . CRITIQUE DE FILM _nMETAPHORE . FILM SURREALISTE _nMETONYMIE . FILME SURREALISTE
545			_hp.79-86 _fHOLOWKA Teresa _iOn conventionality of signs _nCONVENTION . SIGNE
608			_aLINGUISTIQUE
608			_aREVUE
610			_aLINGUISTIQUE
801			_aTN _bBIB.CEC _c200824 _gUNIMARC