| 000 | 012720000a22003610004500 | ||
|---|---|---|---|
| 001 | 11732 | ||
| 005 | 20251118152643.0 | ||
| 090 | _a11732 | ||
| 100 | _a20110402d2009 u y0frey5003 ba | ||
| 101 | _afre | ||
| 105 | _ay 000zy | ||
| 200 |
_aFilmer la création cinématographique _eLe film-art poétique _fMOUREN Yannick _bLIVR |
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| 210 |
_aParis _cL'Harmattan _d2009 |
||
| 215 | _a240 p. | ||
| 225 | _aChamps visuels | ||
| 345 | _aDon IFC | ||
| 545 | _iAu travers des oliviers, Abbas Kiarostami, 1994 | ||
| 545 | _iIntervista, Federico Fellini, 1987 | ||
| 545 | _iLa nuit américaine, François Truffaut, 1973 | ||
| 545 | _iL'Etat des choses, Wim Wenders, 1981 | ||
| 545 | _iPassion, Jean-Luc Godard | ||
| 545 | _iPrenez garde à la sainte putain, R.W. Fassbinder, 1971 | ||
| 545 | _iSauvage Innocence, Philippe Garrel, 2001 | ||
| 545 | _iSex is Comedy, Catherine Breillat | ||
| 545 | _iSnake Eyes, Abel Ferrara | ||
| 545 | _iSogni d'oro, Nani Moretti, 1981 | ||
| 545 | _iStardust Memories, Woody Allen, 1980 | ||
| 545 |
_nApproche singulière _hSeconde partie, p. 71-203 _iTout est à vendre, Andrzej Wajda, 1968 |
||
| 608 | _aCINEMA | ||
| 610 | _aCINEMA | ||
| 700 | 1 |
_aMouren _bYannick |
|
| 801 |
_aTN _bBIB.CEC _c20110402 _gUNIMARC |
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