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| 001 | 2245 | ||
| 005 | 20251118152132.0 | ||
| 090 | _a2245 | ||
| 100 | _a20150504 frey50 | ||
| 101 | _afre | ||
| 105 | _ay cdj 001zd | ||
| 200 |
_aQuarterly Journal of Current Acquisitions _vn°37/3-4, Summer-Fall 1980 _bPERI |
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| 210 |
_aWashington _cThe Library of Congress _d1980 |
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| 215 | _a275-504p. | ||
| 225 |
_aQuarterly Journal of Current Acquisitions _v37/3-4 |
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| 345 | _aDon IBLA | ||
| 545 |
_fBALKANSKY _hp.458-475 _iThrough the electronic looking glass, television programs in the library of Congress |
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| 545 |
_fBARNOUW _hp.310-331 _iA The Sintzenich Diaries |
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| 545 |
_fBRYLAWSKI _hp.441-457 _iArmed forces radio service, the invisible highway abroad |
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| 545 |
_fKARR _hp.355-369 _iThe american film institute and the library of Congress, a twelve-year perspective |
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| 545 |
_fNEWSOM _hp.279-309 _i"A sound idea", music for animated films |
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| 545 |
_fPARKER _hp.370-386 _iGolden voices, Silver Screen opera singers as movie stars |
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| 545 |
_fSHEPARD _hp.342-354 _iAuthenticating films |
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| 545 |
_fSMART _hp.422-440 _iEmile Berliner and nineteenth-century disc recordings _nBERLINER Emile . PHONOGRAPHIE |
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| 545 |
_fSPEHR _hp.413-421 _iFilmmaking at the american mutoscope and biograph company 1900-1906 |
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| 545 |
_fTUCKER _hp.387-412 _iVoices from the silents |
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| 545 |
_fWERNER Gösta _hp.332-341 _iFrame by frame, scandinavian film reconstruction |
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| 545 |
_hp.479-502 _iIndex to volume 37 |
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| 608 | _aRevue | ||
| 801 |
_aTN _bBib.CEC _c20091014 |
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