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100 _a20211211 2008 |||u0frey50
101 _aeng
110 _ay z 000gy
200 _aMiddle East Studies Association Bulletin, Vol. 39, N° 2, December 2005
_bPERI
210 _aCambridge
_cCambridge University Press
_d2005
215 _ap. 161-319
225 _aMiddle East Studies Association Bulletin
_vVol. 39, N° 2
300 _aBibliographie : p. 194-295 : Societies, Cultures and Traditions of the Middle East ; Historical and Cultural Perspectives ; Contemporary Society, Politics and Economics ; Language, Literature, Art, and Architecture ; Reference and Pedagogy Films p. 296-303 Music p. 304-305
345 _a163
545 _hp. 163-168
_fHakan T. Karateke
_iHistorians of the Ottoman Empire : www.ottomanhistorians.com
545 _hp. 169-175
_fMichael A. Toler
_iExtending the Campus : Al-Musharaka and Technology-Assisted Collaboration
545 _hp. 176-179
_fAnn Lucas
_iSaving the Music
545 _hp. 180-182
_fRichard C. Taylor
_ial-Fârâbi and Avicenna : Two Recent Contributions
545 _hp. 183-193
_fErik Jan Zürcher
_iSchlolarship on the Ottoman Empire in World War I
545 _hp. 205-208
_fSteven Judd
_iTwo Approaches to Introductory Middle East History
545 _hp. 208-213
_fSonia Tamar Seeman
_iThe Sounds of Actually-Existing Cosmopolitans : Music from Southeastern Europe at the Intersections of Oneselves, Western European, and Ottoman Turkish Legacies
545 _hp. 214-217
_fGil Troy
_iZionism 101 : Dreams and Realities
610 _aHISTOIRE. MOYEN-ORIENT
801 _aTN
_bBIB.CEC
_c20211211
_gUNIMARC